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Not too fast, not too slow
Sheetmusic to print
44 sheet music found
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1
26
Not too fast, not too slow
Not too fast, not too slow
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Alan Bullard
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Not too fast, not too slow
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Oxford University Press Digital
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SheetMusicPlus
CBar choir and piano - SKU: OX.9780193537262 Composed by Alan Bullard. Sheet music. Emerging Voices. Octavo. 7 pages. Oxford University Press Digital #9...
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CBar choir and piano - SKU: OX.9780193537262 Composed by Alan Bullard. Sheet music. Emerging Voices. Octavo. 7 pages. Oxford University Press Digital #9780193537262. Published by Oxford University Press Digital (OX.9780193537262). ISBN 9780193537262.For CBar and piano. This original composition combines several traditional proverbs , a quirky melody, a laid-back swing feel, a whispering section, and an immediate melodic 'hook'. The music is well-suited to the text and displays Bullard's accessible but highly accomplished compositional technique.
$3.25 ≈
3.03€
Not too fast, not too slow
Not too fast, not too slow
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High voice
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Contemporary
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Alan Bullard
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Not too fast, not too slow
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Oxford University Press Digital
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SheetMusicPlus
Composed by Alan Bullard (1947-). Score. 5 pages. Oxford University Press Digital #9780193560482. Published by Oxford University Press Digital ...
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Composed by Alan Bullard (1947-). Score. 5 pages. Oxford University Press Digital #9780193560482. Published by Oxford University Press Digital
$4.00 ≈
3.73€
Not too fast, not too slow
Not too fast, not too slow
#
Low voice, Piano
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Contemporary
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Alan Bullard
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Not too fast, not too slow
#
Oxford University Press Digital
#
SheetMusicPlus
Low voice and piano - Composed by Alan Bullard (1947-). Score. 5 pages. Oxford University Press Digital #9780193560499. Published by Oxford University...
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Low voice and piano - Composed by Alan Bullard (1947-). Score. 5 pages. Oxford University Press Digital #9780193560499. Published by Oxford University Press Digital
$4.00 ≈
3.73€
He's the Lily of the Valley (Downloadable)
He's the Lily of the Valley (Downloadable)
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Choral SATB
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INTERMEDIATE
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Gospel/Spiritual
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James McCullough
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He's the Lily of the Valley
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3556-E Composed by James McCullough. African American Heritage. Instrument parts. 13 pages....
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SATB choir (choir divisi) unaccompanied - Medium - SKU: MQ.1.3556-E Composed by James McCullough. African American Heritage. Instrument parts. 13 pages. Duration 2 minutes, 40 seconds. Galaxy Music Corporation - Digital #1.3556-E. Published by Galaxy Music Corporation - Digital (MQ.1.3556-E). English. Song of Solomon 2:1.Unlike some published versions of this African American spiritual, McCullough's rendering is not slow, but not too fast, in the words of the composer. Transcribed from his father's singing of this tune, this version is always flowing, with joyous conviction and thanksgiving. The divisi designation is not to be taken lightly; in one place the women divide into five parts and sing alone, in another the men similarly divide into four parts. The result is joyous and emphatic. Duration: 2:40.
$2.85 ≈
2.66€
And Can It Be
And Can It Be
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Piano solo
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ADVANCED
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Sacred music
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Ken Barker
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John Purifoy
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And Can It Be
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Ken Barker
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1154735 By Ken Barker. By M-Thomas Campbell and W-Charles Wesley. Arranged by John Purifoy. Christian,Easter,Religious,Sa...
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Piano Solo - Level 5 - SKU: A0.1154735 By Ken Barker. By M-Thomas Campbell and W-Charles Wesley. Arranged by John Purifoy. Christian,Easter,Religious,Sacred. Score. 3 pages. Ken Barker #755009. Published by Ken Barker (A0.1154735). This stately hymn should not be played too fast. Keep it slow enough to allow for plenty of expression. The sixteenth patterns should sound effortless, while accenting the melody notes. Extra care should be taken to play the last two bars lightly while holding the sustain pedal at just the right place, as marked in the music.
$4.25 ≈
3.97€
Toot, Toot, Tootsie!
Toot, Toot, Tootsie!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl. The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again. And, he did this seven times! What would he say to her each time? He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested. What a romantic line! Anyway, that’s the gist of the “Toot, Toot, Tootsie!” lyrics. Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922. It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson. Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film. Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings. This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM. After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear. The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead. At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody. This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major. Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus. The piece wraps up with a vaudeville-style conclusion and eventually fades away. (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane” at measure 141.)Lots of fun! Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.52€
White Clouds
White Clouds
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Guitar notes and tablatures
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EASY
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Luigi Pati
#
White Clouds
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Luigi Pati
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.996608 Composed by Luigi Pati. Contemporary,Instructional,Multicultural,Pop,Standards,World. Guitar Tab. 2 pages. Luigi Pati ...
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Guitar - Level 2 - SKU: A0.996608 Composed by Luigi Pati. Contemporary,Instructional,Multicultural,Pop,Standards,World. Guitar Tab. 2 pages. Luigi Pati #6304055. Published by Luigi Pati (A0.996608). A reflective piece with strong melody and harmony. Feel free to hear my performance and play it a similar way, or interpret the piece as you see fit; play it a bit faster or slower, add embellishments, etc. Or just go for the basics: that too is fine. This is not a piece to show off virtuosity, but a little musical story to be played well and with expression. Difficulty: early intermediate to intermediate.
$1.99 ≈
1.86€
Unaccompanied Tuba Suite #3: Rhapsody in A
Unaccompanied Tuba Suite #3: Rhapsody in A
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Tuba
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ADVANCED
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Jason Allie
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Unaccompanied Tuba Suite #3: R
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Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba L...
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Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99 ≈
12.12€
The Old Rugged Cross early intermediate piano solo
The Old Rugged Cross early intermediate piano solo
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Piano solo
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EASY
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George Bennard
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Amanda Tero
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The Old Rugged Cross early int
#
Amanda Tero
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1416895 Composed by George Bennard. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Score. 10 pages. ...
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Piano Solo - Level 2 - SKU: A0.1416895 Composed by George Bennard. Arranged by Amanda Tero. Christian,Easter,Holiday,Religious,Sacred. Score. 10 pages. Amanda Tero #998485. Published by Amanda Tero (A0.1416895). If you want a nice but easy arrangement of The Old Rugged Cross for early intermediate piano players, this solo is a good option. It’s in the key of G and has simple patterns that Level 2-3 students can learn.This early intermediate piano solo of The Old Rugged Cross is made for students who want easier patterns. The left hand has nice patterns that are easy to learn. The right hand plays a single-note melody in the middle and high registers.It is arranged in a traditional style with a few rich chords, but nothing too jazzy.For church services, recitals, and Easter music events, The Old Rugged Cross early intermediate piano sheet music solo will capture the listeners and cause them to ponder.Similar in level to most Level 2-3 piano curricula and ABRSM Level 2-3.The basic format of The Old Rugged Cross early intermediate piano solo is: introduction, verse/chorus, interlude, verse/chorus, ending.6 pages. Key of G major.Approx. 3:00 performance time. Musical Elements In The Old Rugged Cross Early Intermediate Piano Solo Sheet Music Key of G major Time signature: 3/4 Tempo: reflective, slow Note values: dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes Note reading: right hand treble clef D4 to C6, left hand bass clef G2 to F4 Ledger lines (up to 2 lines) Ties Left hand cross over right hand Left hand features similar patterns Right hand single-note melody Accidentals Practice Tips for The Old Rugged Cross Early Intermediate Piano Solo Sheet Music Encourage the pianist to take their time as they play this old favorite. The left hand should be flowing and smooth, but not too fast.As the student is learning The Old Rugged Cross, find the patterns that are different, as that will help them from having surprises in the middle of repeating left hand patterns.
$4.99 ≈
4.66€
Czardas from Swan Lake Ballet
Czardas from Swan Lake Ballet
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Harp
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INTERMEDIATE/ADVANCED
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Classical
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Pyotr Tchaikovsky
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Laurie Peterson
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Czardas from Swan Lake Ballet
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Laurie Peterson
#
SheetMusicPlus
Pedal Harp - Level 4 - SKU: A0.1209104 By Pyotr Tchaikovsky. By Pyotr Tchaikovsky. Arranged by Laurie Peterson. 19th Century,Classical,Romantic Period. ...
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Pedal Harp - Level 4 - SKU: A0.1209104 By Pyotr Tchaikovsky. By Pyotr Tchaikovsky. Arranged by Laurie Peterson. 19th Century,Classical,Romantic Period. Score. 7 pages. Laurie Peterson #807218. Published by Laurie Peterson (A0.1209104). This arrangement of the Czardas (Hungarian Dance) from the famous ballet Swan Lake is from Act III, Scene 20. It is for late intermediate/early advanced pedal harp. There is a slower opening section and a faster dance section. It is arranged so you can play just the slow section, just the faster section or both (and you aren't obligated to play too fast!) You can find many videos on YouTube of an orchestra playing the Czardas to give you an idea of the piece if you're not familiar with it. It's awesome!
$5.99 ≈
5.59€
Concerto for Soprano Saxophone (sax quartet)
Concerto for Soprano Saxophone (sax quartet)
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Phil Steadman
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Concerto for Soprano Saxophone
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Phil Steadman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.992171 Composed by Phil Steadman. Baroque,Classical,Contemporary. 48 pages. Phil Steadman #338195...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.992171 Composed by Phil Steadman. Baroque,Classical,Contemporary. 48 pages. Phil Steadman #3381959. Published by Phil Steadman (A0.992171). The Soprano concerto is a modern composition based on traditional styles and can be played by quartets of all standards. The faster movements work equally well at the stated tempos or at slower or faster tempos as desired. There are 5 movements plus an introduction. The first 3 movements should be segue including the introduction. There should be a comfortable break between the 3rd/4th and the 4th/5th movement. Introduction – Adagio The dynamics should be exaggerated in the lower 3 parts giving large crescendos and diminuendos. Segue. Movement I – Allegro Set by the soprano, care should be taken note to take the tempo too fast as it gets a little trickier later on. The soprano cadenza can be ad-libbed and played at any tempo. The lower instruments should come off the dotted minim in strict time in bar 81. Segue. Movement II - AndanteWhile it is segue, take care not too rush into this movement. The lower parts should be played gently to avoid overpowering the soprano lead. Make the most of the accents. Segue. Movement III – AllegrettoThis movement should be played lightly in the accompaniment, particularly in the slightly comical middle section. Movement IV – LentoThe quieter it is played, the more effective this movement sounds. Allow the soprano to play as quietly as possible but the soprano should become animated in bar 235 before dying back down. The lower instruments can come out in the section at bar 241 (with the lead on tenor) but must die down completely at to the end of the movement. Movement V – AllegroTake care not to allow the accompaniment to overpower the soprano and try to avoid any accelerando for the last 9 bars.
$11.99 ≈
11.19€
Jesus Was The First To Conquer Death
Jesus Was The First To Conquer Death
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Choral SATB
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EASY
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Christian contemporary
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Sacred music
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Thomas R
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Jesus Was The First To Conquer
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Thomas R. Schadl
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.912481 Composed by Thomas R. Schadl. Christian,Contemporary,Easter,Romantic Period,Sacred. Octavo. 6 pages. Thom...
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Choral Choir (SATB) - Level 2 - SKU: A0.912481 Composed by Thomas R. Schadl. Christian,Contemporary,Easter,Romantic Period,Sacred. Octavo. 6 pages. Thomas R. Schadl #3019163. Published by Thomas R. Schadl (A0.912481). Based on Revelation 1: 5-6, Jesus Was The First To Conquer Death is an anthem that resembles the Victorian choral writings of Sir John Goss (1800-1880) and John Stainer (1840-1901). The first part states that Christ is the ruler of all earthly kings and should be sung at a stately manner, but not too slow. The next part, where the choir sings at a slower pace, is about Christ's love for humanity. The final section is performed at a moderately fast tempo and it is about Christ's eternal glory. The speed for the Amen section could be stretched to bring the anthem to a brilliant conclusion. .
$7.99 ≈
7.46€
alt.Callahans Reel
alt.Callahans Reel
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Piano solo
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50 ≈
7.00€
Down The River
Down The River
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Easy Piano
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EASY
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Joshua Sharo
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Down The River
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Joshua Sharo
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.957949 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096345. Published by Joshua Sharo...
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Easy Piano - Level 2 - SKU: A0.957949 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096345. Published by Joshua Sharo (A0.957949). Practice Tips: It is very important to shape the right hand well in the A section (measures 1-16 and 26-35) to avoid boring your audience. Make sure that the Cs in the left hand are not too loud; otherwise, they will quickly become annoying. Pay close attention to the articulations in the B section (measures 17-24)! Pedaling all of the notes that are not staccato gives a more exciting effect, but it must be executed skillfully. If you want to pedal measures 18 and 20, you must be fast enough to change for each of the last four eighth notes. Do not slow down at the end of this piece!
$1.99 ≈
1.86€
Concerto in Bb Major for Double Bass and Orchestra - Piano Reduction
Concerto in Bb Major for Double Bass and Orchestra - Piano Reduction
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Double bass, Piano (duet)
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ADVANCED
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Contemporary
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 5 - SKU: A0.809789 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and part. 36 pages. R. E. Proct...
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Double Bass,Piano,String Bass - Level 5 - SKU: A0.809789 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and part. 36 pages. R. E. Proctor #3010465. Published by R. E. Proctor (A0.809789). A piano reduction of the Concerto in Bb Major for Double Bass and Orchestra. It's a performance or rehearsal ready arrangement of the concerto. Set in the traditional fast - slow - fast format. The first movement is that might be called neo - classical. The second movement is a jazz waltz. The third movement leans toward French Impressionism. As concerto's go, this is not too difficult. However, it will require the soloist to have some mastery over the instrument. Performance time is approximately 13 minutes and 10 seconds.
$9.95 ≈
9.29€
Mist covered mountains of home
Mist covered mountains of home
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Harp
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EASY
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Celtic/Irish
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Traditional Scottish
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Harpoline
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Mist covered mountains of home
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Harpoline
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SheetMusicPlus
Harp - Level 2 - SKU: A0.912236 Composed by Traditional Scottish. Arranged by Harpoline. Celtic,Irish. Score. 3 pages. Harpoline #6254521. Published by ...
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Harp - Level 2 - SKU: A0.912236 Composed by Traditional Scottish. Arranged by Harpoline. Celtic,Irish. Score. 3 pages. Harpoline #6254521. Published by Harpoline (A0.912236). This beautiful slow Scottish air has been arranged for lever harp. The first half can be played by any beginner, but the second half needs a strong and steady left hand. I have not added dynamics as I feel the whole tune needs to be played quite serenely. Anybody can add their own dynamics. This tune will also work well on piano with different fingering. Do not play too fast!
$4.00 ≈
3.73€
Languorous
Languorous
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Piano solo
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ADVANCED
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Liz Nedela
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Languorous
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Liz Nedela
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1394547 Composed by Liz Nedela. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 8 pages. Liz N...
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Piano Solo - Level 5 - SKU: A0.1394547 Composed by Liz Nedela. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 8 pages. Liz Nedela #978031. Published by Liz Nedela (A0.1394547). Dreamy, daydreaming,…unfolds at such a languorous pace that you can forget all around you…summer has a slow, languorous feel to it…with a leisurely leggerio sectionThis piece is in G melodic minor, with several variations; slow and dreamy and nevergetting too fast. It modulates to D minor, and ends in a relaxed and contented G Major.The melody is in two parts: the Left Hand, as well as the top note of the chords in theRight Hand. The piece is improvisational in style; emotional with a laid-back feel.Envision yourself in the definitions above as you play it.
$6.00 ≈
5.60€
A Missionary Cry
A Missionary Cry
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J
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A Missionary Cry
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J. Randolph Hall
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SheetMusicPlus
Piano and Keyboard,Vocal,Voice - Interactive Download SKU: A0.482515 Composed by J. Randolph Hall and Johann Sebastian Bach. This edition: Interactive Do...
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Piano and Keyboard,Vocal,Voice - Interactive Download SKU: A0.482515 Composed by J. Randolph Hall and Johann Sebastian Bach. This edition: Interactive Download. Praise & Worship. Score. 7 pages. Duration 33. Published by J. Randolph Hall (A0.482515). A redoing of a hymn by Albert Benjamin Simpson. The original hymn was in a major key and a march tempo. This was not consistent with the message of the verses to be sung. The new setting is based on BWV 906. The hymn should be sung at a steady, never slow nor too fast, pace.
$3.00 ≈
2.80€
School for Trombone - Volumes 1, 2 and 3 complete
School for Trombone - Volumes 1, 2 and 3 complete
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Trombone
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INTERMEDIATE
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Mueller, Robert
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Cherry, Gordon
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School for Trombone - Volumes
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.810972 Composed by Mueller, Robert. Arranged by Cherry, Gordon. Instructional. Individual part. 208 pages. Gordon Cher...
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Trombone Solo - Level 3 - SKU: A0.810972 Composed by Mueller, Robert. Arranged by Cherry, Gordon. Instructional. Individual part. 208 pages. Gordon Cherry #4309377. Published by Gordon Cherry (A0.810972). Albert Robert Mueller (Müller) was a German trombonist born in 1849. He initially received violin lessons and discovered his talent for trombone playing at the age of twelve. He eventually settled in Leipzig and became a member of the Leipzig Gewandhaus Orchestra as well as a teacher at the Royal Conservatory of Music. He wrote the School for Trombone in 1902. (Wikipedia) The School for Trombone (part of our Vintage Brass Series, not to be confused with the Technical Etudes) is a very detailed and comprehensive book in three volumes totalling 208 pages, the text being divided into German, English and Russian languages. • Volume I includes detailed lessons on music theory including all scales and keys, rhythm, time signatures, rests, accents, accidentals, explanations of tempo markings, dynamics, posture, tone, a table of positions and notes. The lessons go through different keys starting very slowly and methodically with short exercises....not going too fast for the beginning student. Along the way Mueller inserts easy duets to perform with teacher and student, including many Bach chorales, etc. to get tuning and tone solidified. • Volume II for the intermediate level student, begins with the first studies of slurs and legato. He introduces simple songs and famous melodies including more duets. The exercises get progressively more difficult and include the entire collection of ornaments. • Volume III, for the more advanced student, introduces tenor and alto clefs in scales and studies including more duets. Compiled by Gordon Cherry
$30.00 ≈
28.00€
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